trickybus
Boney Bandito
- Joined
- Aug 28, 2025
- Messages
- 110
Yeah, WALL-E was super critical about late-stage capitalism and very sentimental but that was its strength. Up is the same way but with a more grounded though no less sentimental story. They're both fantastic films that combine emotions with grand adventures and changing those aspects of them would intrinsically change the films.Nope, pretty sure you're just getting older and you've seen a fair number of movies compared to when you were a kid. Every Pixar movie is like this, most animated children's films have an emotional core beyond some kind of adventure or spectacle, because you want kids to learn something.
Closest I can think of that didn't was A Bug's Life, but every Toy Story is a sentimental story about growing up, Monsters Inc. has John Goodman saying goodbye to his unexpected child, the opening of Finding Nemo, all of it.
I will argue that Disney has more examples of movies that are more adventure than sentiment—Aladdin, Hunchback of Notre Dame, Hercules, and Mulan come to mind—but they aren't completely bereft of emotional notes; it's just not the focus. I have noticed that there's more grumbling online about the lack of "classical" Disney villains in the wake of all those remakes where they try to make previously irredeemable villains sympathetic. I have to wonder if that's what's fueling the dissent regarding excessive sentimentality online.
I personally dislike the trend of reimagining villains as misunderstood anti-heroes. Yes, a villain can behave poorly because of traumatic circumstances that force the adaption of maladaptive practices but sometimes an asshole is just an asshole.
Last edited:
